Then He Rollerbladed Out Of The Elevator
Amy Stewart’s series Then He Rollerbladed Out of the Elevator arose after she attended a small gathering at her art studio. Over good food and much laughter, her friends talked about the past, and the group began sharing the turning points in their lives. One remembered the stranger she eventually married after he exited an elevator on rollerblades. Another recalled the failed Christmas party that sparked an unexpected romance. These are the lucky accidents, impromptu decisions, or surprising opportunities that branch our lives out in new directions, sudden and delightful paths opening up before us.
Each painting in Stewart’s new series features a line that points in one direction before swooping away from its seeming destination, while floating shapes feature smooth brushstrokes. With these lines and shapes, Stewart positions concepts that at first don’t seem to go together; upon further reflection, the contrasting elements suggest something new and optimistic. This convergence is reminiscent of our relationship with our past choices. When we look behind us, we recognize the moment we found ourselves setting upon a new course, and we wonder at the chance of it all—the strange coincidences that led us to the place we are now, the solid ground we never expected to stand on.
In trying to find connections among friends, and in our own memories, we can laugh as we remember what didn’t go as planned, and we can feel hopeful at the futures we know will surprise us, the unforeseen points we turn toward without even realizing where we’re heading.